Funny women have played starring roles as catalysts in the transformation.

Clowns Without Borders (CWB)-USA has had all-women teams before. But we’ve only begun to explore how audiences respond to shows directed, produced, and performed entirely by women.

This post introduces you to the women who shared laughter with people of all ages in southern Turkey (May 2024) and gives you a front-row seat to the best audience reactions from the tour.

Does an All-Woman Laughter Team Matter?

We think women-led laughter matters and this blog post shares stories to underscore that idea.

Meet the Team

Five women made CWB’s Turkey Tour 2024 a smashing success. Four of them were no strangers to Turkey, and all five were familiar with clowning in areas of crisis.

Anchoring the team were Yasemin Ertorun and Çağdaş Ekin Şişman, talented performers from Istanbul’s SOS clown group. Their familiarity with the Turkish language and culture was invaluable. Gamze Akça Özcan, also of SOS, served as the tour manager, ensuring smooth operations and building on existing connections with NGOs and civil society groups in southern Turkey.

Sabine Choucair, a powerhouse Lebanese-American performer, joined from her base in Turkey. Sabine is a co-founder of Clown Me In, a community-based organization in Lebanon. Completing the team was Luz Gaxiola, who has been on CWB tours in Lebanon, Greece, and Mexico. Luz arrived from Olympia, Washington, with her accordion and clown props ready.

In just ten days, CWB’s all-female team brought laughter and joy to over 2,200 people, including roughly 1,800 children, across Hatay, Kahramanmaraş, and Islahiye, Turkey (May 8th-17th, 2024).

Now that you’ve met the team, let’s meet the audience.

Touching Hearts in Southern Turkey

Of the three million people displaced by the 2023 earthquakes, over 600,000 are still in temporary housing. Usually, that looks like rows and rows of converted metal shipping containers.

The containers are vulnerable to the cold and heat. However, a move to permanent housing is cost-prohibitive due to a shortage of safe property and the inflated cost of rent.

You love to laugh — and you know how much laughter has helped you through difficult moments.

You can give the gift of laughter to a child in crisis every month with a donation of just $11 monthly.

Unexpected Guests

Clowns from Turkey and elsewhere have spent time in Hatay and nearby regions that were hardest hit by the earthquake. So some people have met clowns, while others haven’t.

“We surprised many people going about their day. They seemed shocked and amazed to find a parade of clowns and children playing music and blowing bubbles in the streets. Some people just shared a silly moment with us, and others gathered their friends and family, followed the parade, and joined us for the show.”

“One kid came at the end of the show to take a photo with Sabouny (Sabine’s clown character). She was 5 years old and didn’t want to look at the camera at all. She just wanted to be near the clown and looked at her in awe for a long moment.”

– Luz Gaxiola

“Nobody Cared Anymore” was the Transformation

CWB’s impact goes beyond eliciting laughs. We aim to transform.

“[The audience sees] four women onstage being ridiculous and being happy about how ridiculous we are, enjoying the failures and enjoying every part of the show and what we were doing…[The show] was like a celebration. We got to a point where nobody cared anymore. We were all just there, together.” 

– Sabine Choucair

“Nobody cared anymore” isn’t negative. It signifies a beautiful moment of transformation in which audience members felt liberated from societal pressures and self-consciousness. Men, women, and children alike could simply be themselves, united in a celebration of uninhibited joy.

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“There was this teenage girl who was so grumpy. From the beginning of the show, she was like, ‘Who are these clowns?’ ‘Why are there clowns coming here?’ Then, at one point, we were dancing with the girls. We were getting girls from the audience to come and do a silly dance. Then [the grumpy teenager] just decided to come onstage, take my jacket, and put the jacket on and dance with us. [There was] a shift from, ‘Who are these clowns?’ and ‘I’m not going to laugh,’ to being part of the game onstage. 

– Sabine Choucair

Seeing women of their background and identity leading in this way validates and normalizes these experiences, inspiring girls and women to embrace their unique talents and reject limitations imposed by patriarchal structures.

From Shy to “Busting Out” a Melody

Women-led play plants a seed: breaking barriers can be a positive and healthy process. Consider this story from Luz:

“After the show, this little girl showed up holding a box with a melodica in it. She was kind of shy, but she was holding it. So we started encouraging her by saying, ‘Okay, great, let’s see the melodica.’ So then she took it out, but she wasn’t playing it. She needed a few more minutes to be okay with that. So then we were like, ‘Play it!’ So she started playing it, but she was just doing little random sounds. 

“Then I, with my accordion, just started copying her. But she was a little shy, so she did that for a few minutes…and then she busted out this melody. [And we realized,] ‘Oh, you actually play this thing.’ So she started playing this melody, Bella Ciao. And I know Bella Ciao, so it was great because she was playing the melody on the melodica, and I was able to chime in here and there on the accordion. And we ended up having this really sweet duet.”

– Luz Gaxiola

The connection was between two musicians, but also between two women. Inspired by seeing a woman confidently lead and perform, the girl found the courage to express herself. The rarity of this kind of moment highlights the need for more opportunities where girls can see themselves reflected in strong, talented women, and feel empowered to pursue their dreams.

Women Calling the Shots

Sabine has an act where she playfully challenges a man who comes on stage, asking him to demonstrate both masculine and feminine moves. If he refuses, she humorously dismisses him and finds another volunteer.

“I was like, ‘Okay, you’re not going to do that? I’m not interested in you.’ So he left, and I picked somebody else and he was adorable. It was great to have him onstage. He really played along and was so happy to do that.

“Clowns are about, ‘let’s connect on a more deeper level’ and ‘Ya, I’m a woman onstage assuming my role and kicking whoever I want to kick out.’”

– Sabine Choucair

Sabine’s act is a playful yet powerful critique of rigid societal expectations of masculinity. The audience isn’t just passively entertained; they become active participants in questioning these norms. Those who embrace the challenge, like the “adorable” volunteer, demonstrate a willingness to break free from stereotypes.

Conclusion

As we reflect on CWB’s all-women team in Turkey, we see that their impact goes far beyond laughter. In a world where men have traditionally dominated clowning, CWB is flipping the script. Women-led performances challenged societal norms, proving that humor can be a powerful tool for dismantling gender stereotypes.

This is the true magic of CWB-USA: creating spaces where laughter breaks down barriers and brings people together.

This was the sentiment heard over and over at clown shows for earthquake survivors just six weeks after disaster struck Turkey and Syria.

From March 22 – 28th, Clowns Without Borders (CWB)-USA brought comedy, music, and color to children, parents, grandparents, and aunts and uncles who had lost so much.

In this Smile Roundup for the first tour of 2023, you’ll hear just how quickly we organized the Turkey tour — and you’ll see lots of kids smiling from ear to ear.

Let’s do this!

The Urgent Need for Psychosocial Support Among Earthquake Survivors

On February 6, 2023, two major earthquakes hit southern Turkey and Syria, killing over 58,000 people (50,000 in Turkey alone) and injuring twice as many.

According to an April 2023 UNICEF report,

• Around 2.4 million people live in settlements (1.6 million in informal and 800,000 in formal).
• Informal sites need water, sanitation, information, and social protection.
• UNICEF reached 212,730 children and caregivers with mental health support through trained workers and NGOs.

You love to laugh — and you know how much laughter has helped you through difficult moments.

You can give the gift of laughter to a child in crisis every month with a donation of just $11 monthly.

UNICEF has done a great job, but there are 4 million school-age children affected by the earthquakes. The need for more psychosocial support is undeniable.

CWB considers our work as a critical part of this effort.

Moreover, CWB–USA is able to go where the road does not, creating performances without a traditional stage or electricity (which was often the case in Turkey).

Supporting Children’s Play Amid Crisis

Our supporters are the kind of people who want to see a day when no crisis stops a child’s play life.

Weeks after the initial quakes, our amazing community started asking if we were going to Turkey and how they might help. We could only say that it was not yet the right time to go.

Like the Ghostbusters, CWB-USA responds to communities when they call.

The Call to Clown Came Early (Naomi was Brushing her Teeth)

In the morning of March 12, the Executive Director of CWB-USA, Naomi Shafer, got a 7:30 am call from Turkey.

Sabine Choucair from Clown Me In was on tour in southern Turkey and called to ask, “Can we tell the kids and adults that the clowns are returning in 2 weeks?”

With a departure date just 10 days away, Naomi said, “YES! We’ll be there!”

Later that day, Naomi sent out an email to vetted artists, inviting those who had been on a previous CWB tour to apply.

She assembled our incredible Turkey team a few days later. It included performing artists Selin Akoğlu (Turkey), Josie Mae (US), Meredith Gordon (US), and Andrés Aguilar (Mexico), photographer Zeynep Secil, and tour organizers Güray Dinçol and Pınar Akkuzu.

How were we able to make travel arrangements so quickly?

We give all credit to our donors, whose generosity makes us nimble. Most especially, we rely on Joy Maker Magic (learn more by watching the video below).

Tickling the Funny Bones of Turkey’s Earthquake Survivors

Communities who had been seeing rubble and smelling death for a month met our artists with a mixture of curiosity and anticipation. 

Clown parades, limbo games, and plate spinning shifted the crowd’s mood. People experienced:

• Respite from trauma
• A reminder that they’re still able to feel joy
• A reminder that they’re loved by strangers

For many communities, this was the first time anyone attended to their well-being beyond shelter, food, and water.

Here are some fun occurrences and words of gratitude from earthquake survivors at four of the tour locations.

Samandağ, Hatay, Türkiye

At the Samandağ earthquake survivors’ camp, an older woman played drums and sang while children and clowns danced at the end of the show.

Gümüşgöze Village, Antakya/Hatay, Türkiye

There’s a moment in Andrés’s routine where he has an audience member point up to the sky as he tosses his Diavolo up really high. But then he turns back around and hangs his vest on their finger.

Maras Avşar earthquake survivors camp, Kahramanmaraş, Türkiye

At this camp, the kids were explaining to one another that we were foreigners coming from very far away for them.

We played with the kids without materials, improvising and playing with imagination. They didn’t want us to go.

Pazarcık, Kahramanmaraş, Türkiye

During the parade, a Kurdish woman started improvising music with the clowns. She was dancing and singing her own songs.

Selin started playing peek-a-boo with a non-verbal, partially paralyzed teenager in a wheelchair. He laughed and smiled. His mother was overjoyed to see her son having such a good time playing with the clowns.

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Conclusion

In the aftermath of the earthquakes in Turkey, CWB brought laughter and hope to communities facing immense challenges. Over 6 days, CWB artists performed 30 times and reached 3230 people.

Because of the unwavering support of our donors, we responded swiftly when called.

Will you help us reach the next family in crisis?

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